goodbye 2018… hello, 2019!

It’s that time of year again, when one year passes into the next, and depending on what has transpired in the year that’s coming to an end, we’re either glad to see it go or remembering it at least somewhat fondly… or both, but we’re always hopeful for what the new year will bring. It’s like there’s this totally clean slate, if only for a few brief hours (or minutes) before we do something stupid.

So, on this last day of the year, buh-bye, 2018… and welcome 2019!

For Erin and me, 2018 has been a year of massive change (one big move).

I expect that for us, 2019 will be another year of massive change (another big move, probably to most likely).

I suspect (and predict) that for everyone, all of us, 2019 and every year from here on out, will be years of massive change.

I am told that if you start the movie Forrest Gump at exactly 10:38 pm, when you reach 12 midnight at the start of the new year, you will be celebrating with Forrest and Lieutenant Dan… wherever you are! This scene…

Well, some smart person just figured out that this scene occurs 1 hour and 22 minutes into the movie.

And hey, didn’t the Poseidon Adventure take place on New Year’s Eve?

Why yes it did. But you know, there’s got to be a morning after…

And then, who can forget the New Year’s Eve party scene from Boogie Nights? I know I certainly can’t… I lived it!

So now you know what we’ll be doing, what movies we’ll be watching tonight as it has been snowing all day here and it’s now 9 degrees in Littleton. We are, as they say, “In 4 the Evening

Very white and snowy today…

And does it seem odd to anyone else that we have arrived at 2019? Let that sink in for a moment… twenty nineteen. Could we see that far from say, 1980? One year away now from 2020…

Work progresses slowly and steadily on the new full-length album “Late Night Meditations in Suburbia“, slated for release in 2019. I should have some new previews of songs from the album up on SoundCloud in February.

I hope 2018 was kind and good to you and that the coming year will be even better. Here’s to a happy, healthy and prosperous new year in 2019. Cheers!… Happy New Year everyone!

Cover artwork for the 3-song single/EP “Snow Day”, which was released on December 23rd, 2017. Available on all digital media outlets…
Cover artwork for the “The Wheels Are Coming Off” single, released on June 12, 2018. Click for the larger image…

The most recent releases from Nights on Venus are the 2-song single, “The Wheels Are Coming Off“, released in the summer of 2018, and the 3-song single/EP, “Snow Day“, from December, 2017.

The most recent full-length release “We Are All Haunted by Something” was released in the summer of 2017 and includes the 2-song single “Speed of Life” and “Confirm Humanity (I’m Not a Robot)”. All albums/singles/EPs from Nights on Venus are available on iTunes, Bandcamp, CD Baby, Amazon MP3. and the NoV website.

Follow Craig and Nights on Venus on Twitter, Instagram, and Facebook.

the end of… the album (as we know it)? three articles on the demise of the download…

Cosmo, on a lazy Sunday afternoon… awakened by… opera!

This is a trend I’ve posted and commented on here on the blog a few times in the past but now it appears we are rapidly approaching the end of the download on some of the largest online music outlets, specifically, Apple iTunes. The music download, which had appeared to be so strong even only just a few short years ago, is going the way of the CD… and vinyl before it. Downloads are now becoming a niche market, just like CD and vinyl, and will soon be found only on music outlets such as CD Baby and Bandcamp. First quarter of 2019, as Apple outlined, is looking like the timeframe for this to occur. In part, this is due to the success of their streaming service Apple Music, which now is generating more revenue than Spotify.

Check out the three articles below, first from Digital Music News on the impending demise of the music download:
https://www.digitalmusicnews.com/2018/07/10/music-downloads-extinct/ 

The second, from Forbes, taken from the RIAA’s (Recording Industry Association of America) annual year-end report:
https://www.forbes.com/sites/hughmcintyre/2018/03/28/physical-albums-sell-significantly-better-than-digital-ones-even-today/#388b6051b538

And the third, from Billboard on CD sales:  https://www.billboard.com/articles/business/8477070/cd-sales-not-dying-but-heading-towards-niche-status-vinyl-analysis 

Granted, a couple of these articles appeared much earlier in the year but one can assume that for CDs and downloads, and specifically album downloads, the trends haven’t reversed themselves since then.

I’ll throw in an additional article from the Pittsburgh Post-Gazette which asks the musical question “should you hang on to your CDs”:
http://www.post-gazette.com/ae/music/2018/02/21/CD-compact-disc-sales-decline-Juke-Records-Billboard-Best-Buy-Target/stories/201802210158

  • The takeaways from all these developments would appear to be obvious:
    Streaming has now become the de facto medium for recorded music and appears to be the endgame… for now. I had mentioned this in a post from 6 years ago, although it didn’t really occur to me at the time that the download would go away (and it won’t, completely).
    As far as streaming being the endgame, it has been the self-perpetuating nature of the music industry to come up with new delivery formats along the way as technology evolved, so I suppose eventually, something may come along to replace streaming. Except that the streaming platform really didn’t come from the music industry, did it? That came from the tech industry. What new medium could replace streaming? Right now, I think most people don’t know.
  • Albums sell more on the physical format – CD – than on downloads and are most effective sales-wise, but only when the CD is released on the album’s street date. If artists don’t release a CD on the street date, they’re leaving money on the table… And then retail outlets like Best Buy pull their CD stock off the shelves.
    There is this, however, from the Forbes article: “People have been saying for a long time that the physical album is done, but the category is responsible for more money coming into the music industry than digital album and song sales combined.”
    And this from Billboard: ““If we had CDs on those albums, the [format’s] sales numbers would tell a different story,” Newbury Comics head of purchasing Carl Mello tells Billboard. “When 90 percent of the most popular music [hip-hop] in America doesn’t show up on CD, of course sales will be down. Duh.”
  • There is no music industry “recovery”. The tech industry has effectively hijacked the music industry. Or, maybe as one label executive has said, “[the labels] are reacting to what’s happening in the marketplace, not causing it.”
    I tend to think that’s the case.
    Until some new/revamped format replaces streaming, any recovery has been put on hold. Indefinitely.
  • If there’s any music or any albums you need to download, you should probably do it by the end of the year, and also back up downloads you have purchased in the past (blank CDs are good for this… you can still get them at Office Depot/Office Max and online). Just sayin’…
    After that it appears that CD Baby, Bandcamp, and eMusic will be the last refuge for digital downloads (and most of their inventory is independent or emerging artists… hey, like me!).
  • And to answer the question of whether you should hang on to those CDs (or vinyl, cassettes, or anything else other than 8-tracks)… well, do you listen to CDs? Keep ’em. Did you have vinyl, sell or get rid of it in favor of CDs, only to regret it later? Do you have downloads? Back ’em up. Streaming is hot now… but for how long?… ‘Til the next “hot” format comes along?
    Remember that the music industry has historically made and continues to make a significant chunk of their money from selling the music consumer the same music over and over again, just in different formats.
    And please, continue to purchase music… rather than or in addition to streaming. Thanks!
    I’ll leave you with this from musician Danny Michel to illustrate what streaming has actually done within the music biz: https://www.facebook.com/photo.php?fbid=10160771798630467&set=a.10150674561930467&type=3&theater

Nights on Venus news:
Currently, I am continuing work in the new studio, recording and mixing songs for Nights on Venus’ next full-length album which will be my 6th full-length album… entitled “Late Night Meditations in/on Suburbia” (yeah, it keeps morphing a bit), set for release in 2019. It has taken a while to get back in a groove after the move, almost 5 months ago, much longer than expected, but I think I’m there now… only to be interrupted by the holidays of course, but I’m taking everything right now as a work in progress in this, a transitional year, year-and-a-half, or for however long our interim residence in the suburban hinterlands will be and it’s all coming together. There is new music posted on SoundCloud – excerpts from the forthcoming album and you can find it here: https://soundcloud.com/nights-on-venus/sets/excerpts-from-late-night

Includes the already-released single “The Wheels Are Coming Off” from this past June, 2018. I will be adding to the playlist over the coming months.

Cover artwork for the 3-song single/EP “Snow Day”, which was released on December 23rd, 2017. Available on all digital media outlets…
Cover artwork for the “The Wheels Are Coming Off” single, released on June 12, 2018. Click for the larger image…

The most recent releases from Nights on Venus are the 2-song single, “The Wheels Are Coming Off“, released this past summer, and the 3-song single/EP, “Snow Day“, from December, 2017.

The most recent full-length release “We Are All Haunted by Something” was released in the summer of 2017 and includes the 2-song single “Speed of Life” and “Confirm Humanity (I’m Not a Robot)”. All albums/singles/EPs from Nights on Venus are available on iTunes, Bandcamp, CD Baby, Amazon MP3. and the NoV website.

Follow Craig and Nights on Venus on Twitter, Instagram, and Facebook.

 

 

 

the new single is out now, and move update…

Click for the larger image…

The Wheels Are Coming Off” was released this past week on June 12th and is now available on iTunes, Apple Music, Amazon MP3, Bandcamp, and all digital media outlets, including Spotify and Tidal. The final cover artwork appears below from the Bandcamp page.

The “B-side” on this is “Our Alternate Lives” which features Erin on alto sax. The mastering on the songs was done by Brian Hazard at Resonance Mastering as always. Thanks for listening!

Originally I had scheduled this release for the end of May, early June, but back then I did not know we would be in the process of moving during this time. We made that decision on May 4th and a month later, after the first and only weekend of showings, we went under contract (yes, the Golden market right now is hot, hot, disco… muy caliente). The inspection took place and has been signed off on this past week. We’re only waiting for the appraisal at this point but we will definitely be moving now in just 3 weeks, finalized as of yesterday.

It’s a sideways move, and speaks to the power of intention, the intent being that we would sell the house quickly and make this move with relative ease. So far it has been, and what seems like a puzzling move to some of our friends will ultimately get us where we want to go, which is back up to the mountains. Evergreen or beyond.

De-cluttering and packing is in full swing now. Even though we de-clutter twice a year already, there’s still a lot of stuff we’re getting rid of now – 6 years of being in one place. Moving is always a pain in the ass – it’s bittersweet, but you just can’t be attached to material stuff.

I won’t have too much down time in the studio during the move – the full album release is still planned for late November/early December, but if the release date slips into 2019, there will be another single release in mid-October.

It’s raining right now, finally… first time in a month. We need the rain, but no hail. Not here, not now.

All previous Nights on Venus albums are available as MP3 digital downloads on Bandcamp, CD Baby, iTunes, Amazon MP3, and also the NoV Website.

Sunday afternoon in the The ‘Cave Studio, Golden,CO… one corner of it anyway. Fender Strat “Buddy”, red Reverend Charger 290LE “Prince”…Reverend Rocco “Goldenboy” in the background…

Follow Craig and Nights on Venus on Twitter, Instagram, and Facebook.

“Everything popular is wrong.” – Oscar Wilde

state of the union, 2018… of vinyl…

In which I revisit a post of mine from 2 years ago (January, 2016) and also offer up the latest from the Discogs blog: The Future of Vinyl

In the very first paragraph from the latter comes this little tidbit: “The format has become a cultural identifier — a badge of honor amongst the millennials…”

And that’s all you really need to know. The tide has turned: millennials are on board. Perhaps even more telling was when I was shopping in Target this past Christmas season for the DVD of “Wild Hogs” (which I didn’t find) and came upon a section – a small section – of vinyl records of which David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars immediately caught my attention. On vinyl. In Target… in Arvada, Colorado. Unrepentant suburbia! My next thought: is Aladdin Sane here too? It was!

I didn’t even know Target (Tar-zhay) sold vinyl records… ever. Even back in the 1970s. They’ve been around that long and it wasn’t where I shopped for records back then. So something’s going on here…

Vinyl is enjoying a resurgence in the 20-teens.
Who would’ve thought?

But a vinyl record, as a format, is enduring. It has proven itself. Like Miles says of Cabernet wine in the movie “Sideways“… it’s a survivor. The same can be said of the CD format as well.

Listening to vinyl downstairs in the studio on a Sunday afternoon… the first albums of an all-80s blitz.

From the Discogs article, completely agree with Henry Rollins when he says: “Every house and apartment should have records and record players in them. Things would be better.” Yes, they would be. I may be against most aspects of mind-numbing American culture, but I am decidedly pro-vinyl.

Elsewhere in this excellent article, comes this from Michael Kurtz: “I work with indie record stores and they need to be profitable on what they buy and sell to succeed. Right now, they are stocking more vinyl and are selling more vinyl than before. They are also buying and selling more turntables than ever before.”

And this from Bob Peet of Audio-Technica, manufacturer of turntables: “We are also seeing new customers enter the category as our demographics shift slightly to a younger audience. Many of our new customers are looking for “experiences” in their daily lifestyles – experiencing analog sound, album art and liner notes – and a stronger sense of community by gathering friends to see and listen to their curated selections.”

And finally, from Jason Hicks of Aperion Audio: “We can debate why vinyl keeps surviving these onslaughts, is it actual vs perceived sound quality, the collectible nature, the intangible cool factor, but the fact remains, records simply will not go away.”

All of this is good news. It is especially good that younger generations are becoming familiar with the vinyl format, playing records on a turntable, and listening to quality sound recordings through a component system with high-quality audio speakers. This is the way music is supposed to be listened to… not over the tiny, tinny little speaker in your cell phone or through ear buds from a subscription service, a platform, whose existence is to only sell you… their platform.

I’m talking about Spotify of course… Here are a couple of recent articles that highlight the inherent problem with Spotify…
From Track Record: https://trackrecord.net/spotify-is-in-the-business-of-selling-you-spotify-not-1821912994

And from the Trichordist: https://thetrichordist.com/2018/01/08/the-slippery-slope-of-censorship-huffpost-pulls-story-critical-of-spotify-ahead-of-ipo/ 

The basic problem with Spotify and other streaming services: the platform CANNOT be more important than the music.  That’s putting the proverbial cart before the horse. The main driver is always the musicdon’t let them fool ya. Without that, Spotify et al. wouldn’t have any reason for being.

Yes, it’s Sunday… Super Bowl Sunday. The annual exercise in overblown hype and spectacle here in the U.S. where, strangely enough, people look forward to and tune in to the commercials they usually put on mute the rest of the viewing year. The advertising industry has succeeded in conditioning (brainwashing) people into accepting this as “normal” for the “big game”. Well, they do employ subliminals y’know. Not watching and couldn’t care less. Still amazes me what people get used to and accept as normal.

Larimer St. street scene this morning… sort of reminiscent of an Edward Hopper painting…

I’m listening to the Dream Syndicate‘s album The Days of Wine and Roses from 1983 (which is a great album btw, and you should have it)… on vinyl, fairly loud, but not your-neighbor-can-hear-it-loud-and-calls-the-cops loud. Go find your favorite album, put it on, whether it’s on vinyl or CD, cassette, whatever, and just listen to it – hopefully you have a good stereo system – nothing else, no multi-tasking. Give that album the time and the true listening and full attention it deserves. We are all too distracted now.

Every house and apartment should have records and record players in them. Things would be better.

In LoDo, Denver, earlier this morning, near the ballpark…
Album cover for “We Are All Haunted by Something”, released on July 23, 2017. This is the old abandoned Apache Motel in Tucumcari, New Mexico – shot taken in 2009. The image of the night sky is from Justin Marsh, added with his permission.
Cover artwork for the most recent 3-song single/EP “Snow Day”, released on December 23rd, 2017. Available now on all digital media outlets…

The most recent releases from NoV are the 3-song single/EP “Snow Day” and the full-length album, “We Are All Haunted by Something“, both from 2017. “We Are All Haunted…” includes the 2-song single “Speed of Life” and “Confirm Humanity (I’m Not a Robot)”. All are available on iTunes, Bandcamp, CD Baby, and Amazon MP3.

Speed of Life“,Unearthly, Santos and all previous Nights on Venus albums are available as MP3 digital downloads on Bandcamp, CD Baby, iTunes, Amazon MP3, and also the NoV Website.

Cover artwork for “Unearthly”… photo/design by CCT
My two Reverends… “Goldenboy” on the left (a Rocco from 2002), and “Prince” (a Charger LE with the P-90 pickups from 2014) – not purple, but it came to me from Minnesota.

Follow Craig and Nights on Venus on Twitter, Instagram, and Facebook.

“Everything popular is wrong.” – Oscar Wilde

 

 

 

eclipse-mania!…

is in full swing. Right now we are just a couple of days away from what is probably the most anticipated event in at least a few years, possibly decades (think 2000, the Millennium?) – the total solar eclipse in America. As people will be traveling to points along the path of totality, getting to the event – wherever you are – is shaping up to be the “Mother of All Clusters” on the highways and byways. A few days ago Channel 7 here in Denver posted this graphic…

Courtesy of Colorado Dept. of Transportation (CDOT) and Channel 7, the Denver Channel.

600,000 freakin’ people… Hey, I told you Wyoming was booked up! And they will be on the road that day just here in this part of the country. In fact, that’s more than the number of people who actually live in Wyoming and call it home. Wyoming will double in population on August 21st. And I sure wouldn’t want to be heading up to Casper that day on I-25, usually a parking lot from Colorado Springs up to Fort Collins on good days… or Ogallala, Nebraska on I-76 and I-80, or on the road anywhere else. So we’re not.

Motel rooms have been booked up for months, the prices steadily going up into the stratosphere of motel room pricedom. It is a once-in-a-lifetime event – that’s true (although I do seem to recall we had a partial solar eclipse in the early 1960s when I was at elementary school in Dallas that day and we made pinhole cameras out of cardboard boxes to look at it safely). Services and restaurants in all the small towns along the path of totality will most certainly be overwhelmed for that one day. Business will be good, pumping some much-needed money into the local economy… and chaotic.

Path of the Total Solar Eclipse across America on August 21, 2017… Images courtesy of NASA.
The eclipse, brought to you by… Grease Monkey? No… don’t think so, and now apparently, they’ve run out of the free glasses.

It’s… ECLIPSE-MANIA!

A couple of links (please feel free to share):
From Space.com
And check this out…
Simulation of the eclipse in your area 

Here’s the deal: whether you’re in Caribou, Maine or Yuma, Arizona (or even in Nome, Alaska and Honolulu, Hawaii), you’re going to see something of the eclipse. In parts of Canada and Mexico as well. It may be partial, but it’s going to get dark. How dark depends on where you are. Here in the Denver Metro/Front Range area, we will have 93% totality… so it’ll be plenty dark. How dark? Well, after the Moon, the planet Venus is the brightest object in the night sky and currently it’s moving through the sign of Cancer; above 97% totality you should be able to see it. It’ll also get anywhere from 2-8 degrees (F.) cooler, depending on the totality of where you are.

Of course, when viewing the eclipse, wear the appropriate safety glasses/eyewear. Do NOT look at the eclipse directly or stare at it even with the glasses on. And it’s not a “Triple Dog Dare” moment.
Here’s an excellent post on this
.

Some new music from Nights on Venus from the new album…

So yes, the eclipse is a very big deal. This is perhaps one time where the hype surrounding an event is actually justified. Hopefully if you have paid a fortune for a motel room wherever you go, it will not be cloudy that day.

Astrologically, what could be the possible significance of the new Moon/total solar eclipse be in Leo? It depends mainly on the house placement and any aspects to other planets in the natal chart and also the progressed and solar arc charts. Since this is being billed as the Great American Total Solar Eclipse what possible significance would be suggested for the U.S. during this time? Let’s take a look at the chart of the U.S. for Monday…

Natal chart of the U.S.A., July 4, 1776, 5:10 p.m…. Snapshot of August 21, 2017 at 1:31 PM, EDT. The total solar eclipse… note the Sun-Moon conjunction (new Moon) in the 9th house (Click to enlarge).

It is interesting to note that this is only the 3rd coast-to-coast total solar eclipse in this country’s existence. The first two: 1776, when we declared our independence and became the United States of America, and in 1918, which marked the end of the first World War and when the short-lived League of Nations was formed.

In the Transit to Natal chart above, the Sun-Moon – new Moon – conjunction occurs in the 9th house at 28 degrees, 53 minutes Leo. Aspects to: natal Pluto in the 2nd house (inconjunct), natal Moon in the 3rd house, opposition (wide orb, but significant I think, so allowed), transiting Uranus, 4th house (trine).

Emphasis here is on the 9th house, which in the broadest sense represents learning on the level of identity – learning, or in this case, re-learning who we are. Applied to an entire country: learning/re-learning who we are as a nation. We literally have to decide who we are now at a time when we, as a nation, are at our most politically divided and polarized since 1860.

In an individual’s chart, 9th house integration would usually occur through philosophy, religion, higher education, travels and long journeys – anything that would expand (Jupiter as the natural ruling planet of the 9th and Sagittarius) a person’s horizons intellectually and their own self-awareness and of the world they live in. The 9th house also symbolizes the principles (or lack thereof) that a person was instilled with – i.e., the law or social/moral code. Again, Jupiter. In the chart of a nation, this would symbolize the law, the code of ethics that guides a country, and would play out in the sociopolitical arena and also represent, along with the sign on the cusp of the Ascendant, the “face” that nation presents to the world at large. So some of what I’m going to talk about here has to do with law and those principles as they have come to the forefront at this particular time of the total solar eclipse on 8/21 in the U.S.

Eclipses themselves symbolize or signify an ending and/or a beginning. Where a solar eclipse occurs in a chart generally sets the tone for the next 4-6 months depending on when the next lunar-solar eclipse pair happens. Eclipses are also harbingers of change, sometimes profound change, and I would expect that is what we’re going to see over the next 6 months through the lunar-solar eclipse pair in February, 2018. I would go so far as to say that this is one of the most important 6-month periods ahead in the life of this country – especially in light of the events of the last few days – as we have now arrived at a crossroads. There also seems to be widespread awareness in this country that we have reached a crossroads now.

This eclipse comes right as we have an existential crisis in government.

The first thing I’ll say about this is that if you think these last 7 months have been chaotic, and they have been, the next month has the potential to be even more so. And then things should gradually stabilize more by February, 2018. Given the events now that have happened since last Saturday in Charlottesville, Virginia, the ending indicated here by this eclipse, is that this current “presidency” will come to an end. Trump will leave, or be removed from office within the next 6 months. It also would not surprise me if he resigned as early as Monday, August 21st, the day of the total solar eclipse. Being the total narcissist he has shown himself to be, it shouldn’t surprise anyone that he would try to upstage this once-in-a-lifetime astronomical event just to draw attention to himself. This is one possibility signified by the eclipse. That he would resign would be the “easy” way.

The hard way? That’s where the aspect of the law comes into play. The Constitution provides remedies in times of crisis. Impeachment of course, is the one most people are familiar with, but that will take many months and does not guarantee removal from office. The most expedient way involves removal via Section 4 of the 25th Amendment. Trump has shown no interest in actual governing, only ruling, and he has nothing but contempt for the laws of the land. He thinks and acts as if he is above the law and also now faces several legal battles (e.g., the emoluments hearing on October 18th), in addition to the grand jury hearing on his alleged collusion with Russia to secure the election. In other words, the law is currently operating as it should, acting as a check and balance to someone who would run roughshod over it, but the laws of the land could be severely tested during this time and if Trump will not abide by them, then that becomes a constitutional crisis and a long drawn-out battle that this country, as we’ve known it, may not survive.  This is not hyperbole.

Thomas Cole (1801-1848): “The Course of Empire – Destruction”, oil on canvas, 1836.

I hope he will take the easy way. That would be best for everyone, including him. In a very real sense, Trump’s “presidency” ended the day he did not denounce and disavow white supremacists, the KKK, and the neo-Nazis.

What happens next is up to all of us. It revolves around some central questions: who are we as a country now? What kind of nation do we need to be and become? Certainly not the nation we’ve seen these last 7 months.

Also from the new Nights on Venus album…

Enjoy the show Monday. Be safe. ‘Til next time…

Album cover for “We Are All Haunted by Something”, which was released on July 23, 2017. This is the old abandoned Apache Motel in Tucumcari, New Mexico – shot taken in 2009. The image of the night sky is from Justin Marsh, added with his permission.
“Speed of Life” single, released on 10/9/16…

The new album, “We Are All Haunted by Something” has now been released. Includes the 2-song single “Speed of Life” and “Confirm Humanity (I’m Not a Robot)”. Now available on iTunes, Bandcamp, CD Baby, and Amazon MP3.

Speed of Life“,Unearthly, Santos and all previous Nights on Venus albums are available as MP3 digital downloads on Bandcamp, CD Baby, iTunes, Amazon MP3, and also the NoV Website.

Cover artwork for “Unearthly”… photo/design by CCT
My two Reverends… “Goldenboy” on the left (a Rocco from 2002), and “Prince” (a Charger LE with the P-90 pickups from 2014) – not purple, but it came to me from Minnesota.

Follow Craig and Nights on Venus on Twitter, Instagram, and Facebook. He is available for personal astrological consultations. Contact via e-mail at carrington.ct@gmail.com

 

album released…

The new album, “We Are All Haunted by Something“, has now been released officially as of 7/23/2017, on the night of the New Moon in Leo. In a few weeks, the next New Moon… is also in Leo, which is something of a rarity, astrologically speaking, though it does happen every few years, and this is also the Total Solar Eclipse which will be occurring across the U.S. on August 21st.

Path of the Total Solar Eclipse across America on August 21, 2017… In typically American (exceptionalist) fashion, it is being called the Great American Eclipse. Image courtesy of NASA. Click on the image to enlarge.

I’ll be talking about that – what it might possibly signify for the next six months, astrologically – in the next blog post here in a couple of weeks, and yes, it IS a big deal. View responsibly, wherever you are. [Solar eclipses typically suggest the tone of events – in whatever house they occur on a chart for individuals or countries – for the next 6 months or until the next solar eclipse, which in this case, will be February 15, 2018.]

Erin and I will be here in the Denver metro area viewing the partial eclipse which will be fine. We’ll both be at work that day and it will get all dark and eerie for about half-an-hour. I had made reservations in Ogallala, Nebraska a while back (only because Wyoming was already booked up), then watched as the hotel jacked up the prices every few weeks, saw what we would be paying, until I finally cancelled, and now I see that Nebraska is sold out as well. I have no idea what the going rate is now other than exorbitant (also in typically American fashion, i.e., greed).

So for now here’s the album… available on iTunes, CD Baby, Amazon MP3, and Bandcamp; you can listen to the full album here…

Or SoundCloud, full album here as well…

It is a Sunday afternoon right now and we are having a thunderstorm here in Golden – a good soaking rain which is always welcome in what is usually a dry summer, now as we head into August. Everything still looks green. Almost done with summer… thankfully.

The last couple of weekends we’ve gone up to Central City in the mountains… to see the opera. The Central City Opera is now in its 85th season at the opera house, a national historic landmark that was built in 1878. We saw “Carmen” by Georges Bizet, then Mozart’s “Cosi Fan Tutte” yesterday… both excellent productions. If you’re here in the Denver area during July and August, I highly recommend going up there to take in a performance. Year in, year out, they are at the very top of summer opera companies in the U.S. so go see them.

The Opera House in Central City, CO…

I am taking something of a break for the time being, but usually that never lasts long. Originally, “We Are All Haunted by Something” was to be a double album and there are 9 songs in various stages of completion that didn’t make it onto the album as released. I will be working on those, finishing them up over the next couple of months and hope to have 4-5 completed by mid-November to release as a follow-up EP sometime in December, possibly also as a 2-disc CD offering.

"Speed of Life" single, released on 10/9/16...
“Speed of Life” single, released on 10/9/16…
Album cover for “We Are All Haunted by Something”, scheduled for release in July 23, 2017. This is the old abandoned Apache Motel in Tucumcari, New Mexico – shot taken in 2009. The image of the night sky is from Justin Marsh, added with his permission.

The new album, “We Are All Haunted by Something” has now been released. Includes the 2-song single “Speed of Life” and “Confirm Humanity (I’m Not a Robot)”.

Speed of Life“,Unearthly, Santos and all previous Nights on Venus albums are available as MP3 digital downloads on Bandcamp, CD Baby, iTunes, Amazon MP3, and the NoV Website.

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Cover artwork for “Unearthly”… photo/design by CCT

 

 

 

 

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more new music… another preview from “we are all haunted by something”

Just a short update as I’m starting to finish up pre-mastering on all the songs for the new album, one about every other week now. A little more than half the album is done now, in its final state to go to mastering, but even at the above rate there may be some slippage on the release date of June 24th. Hopefully not but we shall see – I don’t believe in rushing things.

The latest is:
THE INDELIBLE IMPRINT OF PLACE / LLANO ESTACADO
(© 2016/2017 Excellent Sky Records/Nights on Venus/Craig Carrington Thomas. All rights reserved.)

This is a 2-minute preview of “Llano Estacado”, not the full song – I’m still tweaking it. The Llano Estacado is the “Staked Plains” in West Texas and eastern New Mexico and has been described as the “table lands between Austin and Santa Fe.” The Spanish explorer Francisco Coronado described the area as mostly “a sea of grass” in the 16th century. That’s true – it really is. And, other than the various caprock escarpments, it’s insanely flat. My Mom, no less eloquently, described it – on our yearly road trips in the mid-to-late 1960s/early 70s to Colorado through Amarillo, Dalhart, and Clayton – like this: “There’s nothing out here. It’s so empty… how can people live out here?” That always cracked me up… because somehow they did and still do.

The caprock, eastern New Mexico...
The caprock, eastern New Mexico…
Rabbit Ears Mountain, near Clayton, New Mexico... August, 2001.
Rabbit Ears Mountain, near Clayton, New Mexico… August, 2001.

Lubbock, Texas is the largest city on the Llano; I was there for 4 years, getting my undergraduate degree from Texas Tech University. I lived in Midland 2 hours south for a little while afterward. Between those two cities… some lifelong friendships, some good parties, knowledge acquired, a little worldly experience, constant wind, occasional dust storms, some not-so-good jobs, and a lot of bad apartments. I’ve spent a lot of time in this area, having living there, but mostly traveling through it over the course of 6 decades. For whatever reason, for me this area never becomes old. I love it. It may be tedious to drive through but it never gets old.

South of San Jon, New Mexico...
South of San Jon, New Mexico…

Places define us, shape us, change us, and any place we’ve lived leaves its indelible mark upon us.

"Speed of Life" single, released on 10/9/16...
“Speed of Life” single, released on 10/9/16…

Speed of Lifeis the most recent offering from Nights on Venus. The 2-song EP was released on October 9, 2016 and is available on Bandcamp, CD Baby, Amazon MP3, and iTunes.

Cover artwork for "Unearthly"... photo/design by CCT
Cover artwork for “Unearthly”… photo/design by CCT

Unearthly, Santos and all previous albums are available as MP3 digital downloads on CD Baby, iTunes, Amazon MP3, and the NoV Website.

goldenboy_and_princeFollow Craig and Nights on Venus on Twitter (@xlntsky),